battery-box / pre-amp ... what's the point?
Many are asking questions the usefulness of a battery-box (or a pre-amp) as part of a concert recording. It must first know the current operation of microphones in order to get an idea.
The vast majority of microphones used by tapers (particularly the microphones so-called 'stealth', hence relatively small) are models for electret or condenser, ie with the electronics and not a membrane that vibrates by moving a magnet compared to another to create an electric field as one might think.
These materials require constant tension to function properly and sustainably; off power from the current digital recorders is relatively low and unstable (the 'Plug-In Power' that you can find for example on The Edirol R-09) which allows to feed the mic to use "basic". Whenever you need a microphone capable of holding a large number of decibels (which is generally the case for rock concerts) then you have a stable supply and good behavior, such as that provided by a Battery- Box or a pre-amp.
Typically a battery-box is a small box, powered by a 9v battery which has an input and an output via a mini jack, sometimes they are also equipped with the possibility of the Bass Roll-Off, this who will actually filter the input signal to remove frequencies below the user-defined choice (it usually allows to reduce the frequency too serious that can make a recording a bit messy).
A Pre-Amp to him has a potentiometer for varying the intensity of the output signal, either by amplifying or diminishing, thus providing a finer adjustment of the volume. The sound output of a pre-amp is usually 'hot' with a simple battery-box, the capacitors used in its composition 'smoothing' the sound and making it more pleasant to listen.










